Photography by Bone and Honey Studio 

Greyson Turner was five when he first stepped onto a stage. At ten, he landed a role in a major Las Vegas production. Then lost it. American Idol came and went, too.

Not exactly…

01 — PAINTING BEYOND THE ONE-MAN BAND

On your first three albums, the aim was largely to capture the one-man performance people already knew. With Lost In Creation, you’ve said you wanted to “paint with it a little more.” What…

Sixteen years after first recording with producer Tom Camuso, she found herself back in a room with him, this time surrounded by the history of the Les Paul Foundation Studio. It is the kind of full-circle moment that could easily…

RETURNING TO INNOCENCE

There is a moment in this interview where Caro says something rather wonderful.

“I jump anyway.”

She is talking about fear.

About still having it, quite a lot actually, and deciding that it no longer gets the…

RIVER STONE

For years, Amanda Nelson sang when nobody was listening.

In the car.

Around the house when she had it to herself.

She wrote songs. Sang covers. Found little ways to keep music in her life without ever quite…

01

When The World Stood Still

The Small Fortunes began when Louis Menguy and Louis James started writing together during the pandemic. What do you remember about those first sessions, and what sparked the idea that this could become a…

COUNTRY DESIRE

Longing, illusion and emotional consequence converge on a record that embraces instinct over certainty, where country traditions meet personal mythology without losing sight of honest songwriting.

Some records reveal themselves while they're being made. Others only begin to…

ONE STEP FORWARD, TWO STEPS BACK

Songs written somewhere between survival and stubbornness.

Interview by Glitch & Gold

Some records feel polished into perfection. Others still carry fingerprints, scars and sleepless nights inside the songs themselves. One Step Forward &amp…

Thin Places

The collaboration between Matt Bauer’s Memory Spells project and Jordan Whitlock exists somewhere between dream pop, chamber folk and cinematic memory.
 

Interview by Glitch & Gold

Some collaborations sound carefully constructed. Others feel like they appeared quietly out…

01 Desert Frequencies

Somewhere between Los Angeles neon and Joshua Tree silence, Pearl Charles creates music that feels timeless without becoming nostalgic.

1. Your music pulls from so many different places,  indie, alt-pop, folk, disco, even hints of blues and…

INTRODUCTION

Houston & Lace don’t sound interested in chasing trends, genres or polished industry narratives.

What they create feels rooted somewhere deeper, in trust, instinct and the kind of songwriting that comes from lived experience rather than performance.

In this…

Introduction 

After years of chasing his own sound between roots music, soul and storytelling, Tyler Hutton is finally arriving somewhere that feels entirely his own.

In this interview with Glitch & Gold, he reflects on authenticity, imperfections, songwriting, creative independence…

Interview #8

Featured Story

After a long period of creative silence, Vancouver Sleep Clinic returns with Valley Of My Prime, an album shaped by burnout, reflection and rediscovering the love for music again.
In this interview with Glitch & Gold,…

1. The Line  

Your sound feels deeply rooted in 60s and 70s soul, but never like a copy. What is the line for you between honoring that tradition and making something that feels alive today?  

Nathan (Dojo Cuts):  
There’s no…

The Al Nicol Interview  

Editorial  

By Glitch & Gold  

March 2026  

4 min read  

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1. The Beginning  

Can you tell us a little about where your musical journey started and how growing up eventually led you toward folk and…

The Molly Bogin Interview  

Editorial  
By Glitch & Gold  
March 2026  
4 min read  

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1. The Balance

Your music feels very controlled, but never forced. How do you balance structure and instinct when writing?

“Hmm… I definitely have…

A quiet beginning

By Glitch & Gold

March 2026

With only a handful of songs released, Aubany is still at what she calls “the ground floor” of her journey. But even at this early stage, her music carries something reflective…

A search for contentment  
By Glitch & Gold  
February 2026  

Dollars Into Dimes does not sound like an album chasing something.  
It sounds like an album weighing something.

When asked what he hopes people understand about this record ten years…

Between restraint and release

By Glitch & Gold
February 2026
 

1. The Sentence

If someone describes your music ten years from now, what do you hope they say?

“I hope they say it felt honest. That it didn’t try too…