GLITCH&GOLD MAGAZINE

Features

Stories, artists and records worth spending time with.

On our Radar

May 14, 2026

On our Radar

Amani Burnham doesn’t play blues-rock like someone trying to recreate the past. He plays it like he’s dragging it into the future.

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Pearl Charles

Apr 12, 2026

Pearl Charles

Somewhere between Hollywood and the desert, Pearl Charles stopped chasing and started listening.

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Eight turning points

THE RECORDS THAT CHANGED THE WAY AMERICANA SOUNDED

Americana did not begin with a sound.

It began with a question.

What happens when you take the music you grew up with and refuse to leave it exactly where you found…

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DOLLY

THE VOICE THAT MADE COUNTRY FEEL HUMAN

Dolly Parton understood something about songwriting that is easy to forget: a song does not need to be complicated to contain a whole life.

There are voices that belong to a genre.

And…

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WHEN INDIE STOPPED MEANING INDEPENDENT.

How a word for independent music became a sound, a scene and an identity.

There is a strange moment in the history of music when a word changes underneath the people using it.

For years, “independent” meant something fairly concrete…

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2 friends

Some Friendships Never Leave the Stage

 

Some friendships don't fade.

They simply keep finding their way back to the same stage.

On the final night of Bon Jovi's nine show residency at Madison Square Garden, the lights dimmed one last…

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St. Quentin

 

More Than A Music Video: Why Jelly Roll's Return to San Quentin Matters

 

Some places never stop carrying history.

Long after the lights are packed away and the applause has faded, certain rooms continue to remember the people who stood…

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On the Knife Edge of Stillness

An Essay Portrait

Amelia de Weger 

By Taoufik Abou

March 2026

She releases music as Amelia Magdalena, but her name is Amelia de Weger. Based in Melbourne, she moves within a space where folk intimacy, psychedelic atmosphere and alternative restraint…

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